Original title: "Sex and the City: The Movie"
Country: USA
Year: 2008
Director: Michael Patrick King
Cast: Sarah Jessica Parker , Kim Cattrall, Kristin Davis, Cynthia Nixon, Chris North, Candice Bergen, Jennifer Hudson, David Eigenberg, Jason Lewis, Mario Cantone, Willie Garson
Screenplay: Michael Patrick King, on the television series created by Darren Star and based on characters created by Candace Bushnell
Production: Michael Patrick King, John Melfi, Sarah Jessica Parker and Darren Star
Music: Aaron Zigman
Photo: John Thomas
Editor: Michael Berenbaum
production designer, Jeremy Conway
Costumes: Patricia Field
Genre: Romantic Comedy
Length: 148 min.
Synopsis:
selling author Carrie Bradshaw, with his famous wit returns fully intact, to narrate her story about sex, love and obsession of single women in New York for fashion. "Sex and the City: The Movie Carrie shows us, Samantha, Charlotte and Miranda four years after the end of the television series, teaches us how to continue trying to balance work and relationships.
__ selling author Carrie Bradshaw, with his famous wit returns fully intact, to narrate her story about sex, love and obsession of single women in New York for fashion. "Sex and the City: The Movie Carrie shows us, Samantha, Charlotte and Miranda four years after the end of the television series, teaches us how to continue trying to balance work and relationships.
Production notes:
dizzy after a while the partridge, one of the most representative television series in recent memory reaches film. Sarah Jessica Parker and her friends follow, setting trends.
A series. Seven of 55 Emmy nominations, eight 24 Golden Globe nominations. Sex TV career in New York, adaptation of Candace Bushnell autobiographical articles published in The New York Observer (collected in a book published in 1997 and became a bestseller automatic), collected awards during his six seasons life and became the flagship of HBO. When I read those articles I thought they were a wonderful window into New York, remembers the whole shebang producer, Darren Star (creator also of another mythical number: Feeling of living). Sex transcended both in New York that became his characters referring to hundreds of thousands of women. With the release of the series on DVD and broadcast on Freeview, the followers have multiplied and continue the story supposed to enjoy a huge buzz for entry.
In search of love. I've been in love with these four women for many, many years, and I carried in my heart even though we did not do the series, admits the director Michael Patrick King, who calls her girls: Miranda is the sarcastic, almost unfriendly. Charlotte is the sweetest, the most traditional. Samantha's sexy, power-hungry. And Carrie is independent finible. The director, screenwriter and film producer and series compare: Actually, the series talked about the search for love, he says. And the film tells what happens when you are.
An undisputed muse. It is clear that the chemistry between the four actresses has been instrumental in the series work as work. But Michael Patrick King surrendered to the talent of Carrie. Sarah Jessica is a phenomenal muse for a writer, he says. A woman is really smart, funny and very sensual. Obviously, original cast members like Chris North, David Eigenberg, Evan Handler and Willie Garson are in a family that joined Jennifer Hudson (Dreamgirls Oscar) and Candice Bergen (Murphy Brown for television legend). And the love story stuff city \u200b\u200band serial cameo eye to New York Mayor Michael Bloomberg.
When the series aired on HBO, audiences fell in love with Carrie, Samantha, Charlotte and Miranda, and discussions about the previous night's episode became the subject of rigorous talks across the country.
"That was completely unexpected," says Kristin Davis, who reprises the role of Charlotte. "You never expect something so successful for so long. We had a really good".
"The success of the series responds to a variety of circumstances, adds Cynthia Nixon, who returns as Miranda. "It starts with the story. It is really intelligent and comes from the heart. People see the show again and again, the same episode five, ten times, because it is so full of content. They are just jokes. They are rather ideas. And I think the actors are wonderful. "
"The story is about a group of women who form something like a new concept of family. They are friends who support each other in all circumstances, "says Kim Catrall, who returns in the role of Samantha." And all those relationships are what have made the series a phenomenon of popularity. "
Critique of Frames:
A favor.
The main virtue of "Sex and the City: The Movie" is fidelity to its model, just as irritated critics of the series in which it is based. The viewer who has not borne never hormonal fluctuations, frivolity and worship of expensive shoes of Carrie Bradshaw (Sarah Jessica Parker) and her friends, it now becomes attached them. For something so simple as those New Yorkers love of love and luxury are as in 2004, U.S. emissions of the last (and double) episode of the series. Instead, fans of the neuroses and the vagaries of such stylish urbanites enjoy this coming-because neither betrays the spirit of the series nor the personality of the quartet character. It is true that his account of New York society is not as forked as in the series. But it is the only misfit. Michael Patrick King, director of the film and a key for your model TV, not film masquerading as a long chapter in the series. Choose a credible scenario in the lives of Carrie and company (The wedding as a social event), and from there, designing a comedy that works by itself, irrespective of their model, and in turn distilled incisive and witty humor escape the sentimentality of the series. Yes, it is too long.
Contrary.
Going shopping can be fun. The problem is when that kind of understanding leisure becomes a way of life, of being. And the biggest problem with this unnecessarily long shopping session called Sex in New York is that he thinks that life is a succession of windows, brand names and topics. Perhaps from male heterosexuality is impossible understand that a speech extolling marriage, motherhood, compulsive consumerism, superficiality and Electra complexes and sterilization of the male mind is simply the best of post-feminism. If it were only the collision between Mars and Venus, probably server could detach from the bottom and see if this romantic comedy class at least worked in the schematic, makeup, scenery, but no. Like those diet bars that replace a meal, the film is a big, sugary and calorie NOTHING. An infomercial made from a sleepy climacteric film, with bad luck (roadway with Manolos, of course) in its supposed modern Cinderella's claim without ash. One wonders if George Cukor would shudder in his grave watching these rich and famous to be playing past offending are more fashionable than their grandmothers repressed.
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