Sunday, September 11, 2005

What Does My Discharge Say About Ovulation

Don Juan De Marco, Movie.

SUMMARY The film


DO N JUAN DE MARCO
is a film that is a man who claims to be Don Juan de Marco, à © l attempts suicide by he could not conquer the woman Who © n à © l really love, being about to commit suicide comes a psychiatrist who works in a health service that has to do with justice ence, à © l does not commit suicide and start a therapy with à © l, tells his life story, where à © l claims to be Don Juan de Marco, with his stories, fuels the fire of love is this psychiatrist for his wife, who is in the twilight of maturity.



LOOK TEA "RICA AND phenomenological" CASE GICA

The pe Lacul begins with a man, which is arranged, take perfume and put on a mask, and saying â € says the best lover œsoy the Mundoo € ... â € Oele I made love to more than a thousand women a s € ... â € œninguna woman left my arms insatisfechaâ € ... â € œsolo a queridoâ not €.
For this reason ³ n à © l says â € žÂ ± os my 21 year I have left my life, but last one, A final conquistaâ €.
is about a woman who is in the hotel restaurant œSevillaâ € â €, she said that waiting for a friend, but à © l calls himself Don Juan de Marco, she sonrÃe, and à © â € he added œI give them pleasure, if they wish €, she plays with the holder of an exciting and masturbation, while à © l, begins to seduce her with his words, telling © foward that there are women with a beautiful face, curves their ears and they all have something beautiful, in her words began to explore his body from his hands at his feet, then we see that à © l have sex with this woman, the historical © rich, has an ego freak, therefore appropriates all the gestures all the words or silence all he sees in the other or that à © l it goes to another.
says that every woman is a mystery to solve.
says that â € œthe time of excitation ³ n is greater when it has reached a comfortable second spideâ €. While
up a poster that has the photo of the woman who has stolen his heart and uses the mask as à © l, said that â € € œahora must die, The police says that she has a disguise of Don Juan, called the psychiatrist and when it is presented as the best œloquerosâ € â €, to get where à © l, Don Juan tells him he wants to swordsman Don Francisco Silva, the psychiatrist asks for Quà © wish to end his life, à © l replied that there is nothing to live for, when doa ± a Ana does not want, he says with a tone of preg smeared, DOA ± Ana should be special and à © l replied that without it life can not continue, the psychiatrist tells him that lose everything, à © l n asked forgiveness for what You tried to do.
à ‰ l by identifying himself as Don Juan de Marco, assuming it is not, there is an inconsistency of the individual ego is a rich historical © I have not gotten themselves under a ³ n identification of himself. Certainly we all set our identification costs ³ n the character we want to be and there is always some difference between what we want to be and what we are. In this regard seem to be otherwise than they are. But in the rich historical © character mask completely hides the person. The whole of the person reflects this rich historical © € â € œfalsedadâ and organization system n develops a false character building living a false existence.
Furthermore s the Repression Amnon © music by real events, is that there is repression, ignorance, in the course of life, it removes the real memories (amnesia, illusion of memory) to replace gaps or for lies , he lives a life that is not yours, it is not real, Ã © l is not Don Juan. Everything in their behavior and attitude testifies to this desire to substitute the reality principle for the pleasure and fantasy, the historical © rich is like the NIA ± or that fails to constitute the fabric of its existence, the chronological order of memories, the forgetting, false memories, memories œpantallaâ € â €. All this is one of the essential features of the historical unconscious insincerity © rich, as well neurosis neurosis appears as a desire, desire to please, desire to exhibit, desire to seduce, desire to offer as a spectator ass. They want all the behaviors guÃan Repression, separating or denying the events of personal history, while the profound demands of libidinal drives. N
The falsification of existence, is common in the historical © wealthy, as it not only lives in a m fictional undo the effect of the Repression of everything Provision must be the plot Autonomous © ntica of his life n relationship, but also continues to get s € â € œbeneficios side of his neurosis by a kind of erotizacià ³ n of the imagination n. à ‰ sta becomes a real Ringtones © cnica of n libidinal satisfaction. It is particularly in the perceived world, where à © l alter the concrete reality, can not see things as they are, it relates to their ghosts. à ‰ l in addition s orgasm impossible to replace the joys of gaming and simulation, and handle the debauchery occurs more or less Symbolic lic of sexually imagination is an integral part of the theatricality of the existence © rich historical, in which the neurologist desempeà ± tico its role as an actor. Often life is its rich historical framework © â € œnaturalâ € between the racks of theater in the world of artists in general.
Being admitted to the Psychiatric Don Juan asks the doctor, Do you know about love? Do you have loved a woman until her milk outbreak? Do you until she feels satisfied, which operates and just crying cause?.
While the psychiatrist who called as â € œOctavio of Floresâ €, says that his men have removed the mask, which has never been removed in the Public and that this will get you in Laos, from 16 ± year old who has it on, since his mother left ³. Ã ‰ l
begins to tell his life, saying he saw his mother naked, â € œdesde the first few months there was something different in maa €, ³ mother was not directly, but à © l saw it through © s a mirror, the ghost unconscious causes hysteria is a ghost eye, the threat enters the eye in the case of the Child ± or rod ³ n, we have to be overwhelmed with horror at seeing the image of the body without clothes, a woman, be exact, the naked body, â € œcastradoâ €, of the mother. Of the mother or any other woman with whom there is a bond of love. N The vision of the female body, perceived as a private body of the penis, it causes distress because NIA ± o à © l think it can be the victim of a ³ n equals castration. ³ Just that he saw his mother naked, perceived © foward castrated, to immediately assailed by the fear of suffering the same fate.
continued commenting that their games were different, it is concerned ³ to the mother, as it looks, à © l seducing the nuns in the church when I was a little more s largest, while Nià ± os played, Girls ± hacÃan as row for kiss, that one day he saw â € Oedo ± a Queridaâ €, in the window of his house with a shirt ³ n silk, barely touching your skin, this to à © l is ³ very exciting, à © l has a self that hystericized ie eroticizes any Expresiones human or whatever, even for themselves, in intimate, non-sexual nature, it does so with the utmost in innocence, unaware, à © l sexualized it is not sexual.
Account as her parents met and night of passion that had the first day they met, and it was love at first sight, Ã © l was born exactly n at 9 months after © s.
The psychiatrist will require medication to Don Juan, but à © l told that if they are given, will not be able to enter their world.
We apply a test, much like the Rorschach, maybe s another set of mines, Ã © l describes a very sexual. Ã ‰ l
says he sees women as they really are, not limited in its view, but sees the more s deeply.
à ‰ l recounts his first sexual experience, begins by saying that the mother had found ³ a tutor, call doa ± a Julia, 23 year ± os, married to an older man, she is reading in the Bible a Page paragraph Deca handle more or less â € œglorifica God with your body and spirit which are God's €, à © l tries to seduce her, one day in ³ ria à © l, when atardecÃa, he begins to court her, but she says not consent, but after a © s à © l kiss you give, it did, and continued this relationship for algae n º n time, even said that he lived almost at home with her.
Don Juan asks four questions qua Do © is sacred?, © Of what is spirit made?, Why do © is worth living?, Â why © qua worth dying for, the answer to all this is love.
Among the diagnoses that handled the psychiatrist was an obsessive compulsive personality with possible historical © rica.
In another session ³ n à © l quota º to telling his life story with DOA ± a Julia, à © l husband she discovers with à © ly trying to kill him, but the husband spurned planting the rumor, saying that à © l, was loving mother of Don Juan, for this reason ³ n's father challenges him to a duel to defend the honor of his wife, à © l it hurt, but before the death of her son tells her to forgive him, then à © l kill the murderer his father, during the offensive's mother says he can not lose both, Don Juan says that his mother never had an affair, in addition s states that since that night put a mask on his face and swore not remove rsel in the presence of another, to hide the vengeance and rage that has said that his father left him too soon and had no opportunity to ... (Says nothing). Here we see something common in the hysteria that is being part of a triangle, we see it as EDAP, in the desire that has to her mother, where à © l is the excluded middle, by the father, is the third excluded from ± doa marriage to Julia and her husband, the Sultan appears more n s forward and when his father died remains the third excluded because his mother was a loving husband doa ± a Julia.
à ‰ l that her mother went to Mà © xico and entering a nunnery, and à © l takes ³ a ship, where all passengers were taken prisoner and sold as slaves, said that à © l was purchased by one of four wives of the Sultan ny having a harem of 1500 women, when women who bought ³ wants to have sex with à © l, this says that â € EASO º n loves another €, but she to tell him undress, à © l says that as sleeping with another woman owed may not was doa ± a Julia, adding that he was surprised ³ as he could remember speed rapidly, and he agreed ³ the desire of his â € œdueà ± a €, although they might have sex, does not vÃnculos affective or not involved emotionally and deeply with the people you have sex, is pending in meeting the Other, and I still dissatisfied.
When Sultan n see him dressed as a woman, as part of his harem, is cited for a sexual encounter that night, Ã © l helped the woman, takes a boat that sank ³ and reaches an island, being there known his new love, she is 17 year ± os, L Ã © promises to love her, but says that â € œella bean I thought I reserved for her as she Mia €, Ã © l can not lie and tells her that before she has been exactly one. ... 1502, with this she puts the mask and humiliation n. As stated Lacquer n in one of his seminars, from the moment that there are names you can make a list of women, and counting. If it can have © 1502 rsel one by one, which is essential. And it is very different from one of the universal n fusion. If the woman was not-all, if your body were not all as non-sexual being, none of this sostendrÃa. Once more
s Don Juan asks the psychiatrist  © n "Who am I? and à © l replied Don Juan de Marco, the best lover, whom the world has known, à © l ask you what's Who © n? and à © l responds â € œsoy Octavio de Flores, married with DOA ± a little light, light of my life, you have seen me through © s of all my most scarasâ €.
At the meeting mà © indicates or Reunion clinic, Don Juan pretends to be Who © n everyone thinks it is, to get out of Psychiatric and â € Oedon Octavio de Floresâ € with his wife lead him to the island where meets his love, DOA ± a Ana
The historic character © Rich has three components, the suggestibility is autosuggestion is pre sented as an individual plastic, meaning that it is impressionable and inconsistent, and that his person does not get fixed in authenticity of a personal identity firmly established, Ã © l © s character after reading the book Don Juan de Marcos, assumes that personality, self-suggestion. The mitomanÃa, we see their lies, comedies, fables continues to forge relationships with too s, when he recounts his story, is always offered as a spectator ass, because its existence is in his own eyes a discontinuous series of scenes and adventures imaginary. Sexual disturbances, we see that the emotional and passionate expressions are somewhat theatrical, too, contrasted with strong sexual inhibitions. Asa € â € œdonjuanismoâ male of rich historical © always hide impotence, premature ejaculation or perversions ³ n, the conversion utility is present for this fear or anxiety of being castrated.


In conclusion, I will use the words used in Lacquer n.  € œ ...
to do this is to say also that Don Juanism © n has said perhaps his last word, no matter what the analysts say. While in this area have made contributions interesting, if you have glimpsed something pertinent to the notion of homosexuality ³ n de Don Juan, not intended to be regularly taken.
I am deeply convinced that Don Juan is a character too far from us in the cultural order that analysts may have had a perception of the n set. The Don Juan de Mozart, if we take it as the culmination of character and something that signifies the culmination ³ n se a question, in the sense that I understand here, is certainly very different from a character-reflection, as Rank construÃrnoslo wanted. Without doubt, do not understand this bias º nicamente double.
In my opinion, © na also contrary to what they say, Don Juan is not simply mistaken, much less with the seducer in the possession of small ± os No effective tricks ³ n. any occasion I think Don Juan loves women even say that he loves them enough to know, where appropriate, decÃrselo not, and who loves them enough so that when you say it, they will create.
not banal, and reveals many things, that for the situation is always a ³ n ³ n-sac situation. I think we have to delve into the meaning of the notion of women ³ n fà lica.
In Don Juan's relations with its object, there is certainly something about a problem of bisexuality, but precisely in the sense that Don Juan is looking for women, and women's football is lica. As the search for truth, as it will look like is not content to wait or to contemplate, is not found, or only what ends up finding foward in the form of one guest claim that in effect is a more s than the women, unexpected, and not in vain is indeed the father. But do not forget that when it occurs, it does, curiously, in the form of the guest of stone, the stone with his hand and closed absolutely dead, there s more of all life in nature. In addition, AHA is where Don Juan just broke NDOS find the culmination of his ³ n destination ... â €.
â € œ ... n The relationship is read perfectly in what we can find n in the labyrinth and the rodeo Rank: that what is discussed in Don Juan, if you link it to a certain state of the myths and rites, Don Juan's contribution represents, Rank says â € "and here you guide your bu Smell here © à © l that little was able to overcome the soul without losing yours. The famous fundarÃa (....) are in this existence that you know the priest matica Booty Bandit of the first night is here, in this area.
But Don Juan is a beautiful story works and produces its effect, even for those not familiar with all its niceties, it probably is not absent from the song No Mozart and found to be more s good side of "The Marriage of Figaro" to "Don Giovanni" .
footprint sensitive about Don Juan is that the complex relationship between man n his object is deleted for à © l, but the price of acceptance of his imposture n radical. The prestige of Don Juan is linked to the acceptance that no fraud. He is always there in the place of another: it is, to say handle, the absolute object.
Don Juan is a dream ± or female. If necessary it will take a man it was perfectly equal to only himself, and in some ways a woman can claim to be with relation to à © l, a man who does not lack anything. This is perfectly sensible in a Ta © Terms on which will have © to re-prop ³ site of the general structure of masochism the relationship n of Don Juan with the image of father as not neutered, that is, a pure image, a female image .
The ghost of Don Juan is a female ghost, is the desire in women of an image that plays a function n function n ghost policy, there is a man who has it first, is not neutered, which is obviously a clear lack of understanding; but much more todavÃa s: à © l I tend and always, you can not lose. What exactly means the position n of Don Juan in the phantom is that no woman can take tell him, this is essential, and of course â € "so I said that this is a ghost femeninoâ €" this is what à © l has on this occasion ³ n to meet with the woman, who, incidentally, you can not take because she does not. The woman sees the homage of male desire is that the object becomes its membership. This does not mean s nothing more than just hold, that is not lost, Don Juan assures that there is a man who is not lost in any public event.
That's the opposite sex, male sex, for women. In this, the image of Don Juan is very important ... â €. Wedge is well known
nt analysts have fun with Don Juan, which made everything, and even what is the limit, a homosexual. But CA © ntreselo on the image you just let them, that sexual enjoyment space covered by open sets, which are a finite, and that ultimately counted. Do you not see that what is essential in the female myth is that Don Juan has one by one?.

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