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psychiatric hospital Deconstructing Harry and Mighty Aphrodite, Woody Allen Movies

± os Earlier this year s arrears discover this great, director, screenwriter, producer and actor, he's Woody Allen. Whenever
HACA zapping and were giving films of à © l, ignored, now looking to see their movies, I love. His films have
psicoanalÃtico dye, which I love, not for nothing this man has over 30 year ± os of analysis in psychodynamic monkey in his life, his films are embodied in them and can see their fantasies, anxieties, angusta, conflict and structure.
In his films there are many references to subjects like religion No, the Judaism, the psychoanalytic analysis, Ingmar Bergman, Manhattan, New York, etc. Next you

present two films of Woody Allen, these are "Deconstructing Harry" and "Mighty Aphrodite" post this link © part of these films with the underlying three wishes incentuosos Oedipus complex.

Desmont 'm Harry 1997 (Deconstructing Harry)
Address: Woody Allen Screenwriter: Woody Allen Inta © interpreters: Woody Allen, Caroline Aaron, Kirstie Alley, Bob Balaban, Richard Benjamin, Eric Bogosian, Billy Crystal, Judy Davis, Hazelle Goodman, Julie Kavner, Mariel Hemingway, Amy Irving, Eric Lloyd, Julia Louis-Dreyfus, Tobey Maguire, Demi Moore, Elisabeth Shue, Stanley Tucci, Robin Williams, Annette Arnold, Gene SKAS.

Deconstructing Harry is one of the most s aggressive films of Woody Allen: a black comedy that spoofs Wild Strawberries Ingmar Bergman with a gifted cast of stars. Deconstructing
Harry is a very black and aggressive exercise. Since the cuts in the editing at the beginning of the film (which refer to Jean-Luc Godard) and even the painful end, the film has ups and downs and appearances of all the actors lucky, almost all Hollywood stars. He was harshly criticized, despite its explicit.for references to Bergman.

Harry Block (Allen, the name is the 'writer's block, writer's block) just released a novel that deals with all the details of his private life. Rejected by his relatives for his indiscretions, there is no one to escort ± ea receive an award that will give the university where he attended ³. Asa hijacking your child (it is divorced from his wife), picks up a prostitute and making the journey. During this trip, many of his characters embody fiction n n © NDOS confused with reality.

Mighty Aphrodite 1995 (Mighty Aphrodite)
Address: Woody Allen Screenwriter: Inta © interpreters Woody Allen: Woody Allen, F. Murray Abraham, Claire Bloom, Helena Bonham Carter, Olympia Dukakis, Michael Rapaport, Mira Sorvino, David Ogden Stiers, Jack Warden, Peter Weller.

Mighty Aphrodite is a Woody Allen comedy that intertwines current situations with those of ancient Greece, in a film that earned him an Academy Award ³ Mira Sorvino as Best Supporting Actress and was also nominated for Best © n original.
Despite the Oscar for Sorvino and a warm reception from the more s clinging Woody Allen, the movie was not good critics ³.

Lenny (Allen) and Amanda (Helena Bonham Carter), a sports and loves interior design ±, respectively, are a couple. When they decide to adopt a child realize his intelligence, so Lenny intends to obtain the mother sanguÃnea. Hoping to find a lady bright, he meets a prostitute in bad ways, very silly and distracted. This triggers the situations to which the director is accustomed to hearing.
The use of a Greek chorus, in the style of the old theater, which narrates the "tragedy" of Allen's character, known for being taken with irreverence: in a scene invoke Zeus, god of gods, who is not and should leave a message on his answering machine.

DISARMING HARRY AND MIGHTY APHRODITE. Woody Allen's
.

In both films we see, as manifested in different ways the incestuous desire, ie the dynamics of the Oedipus complex, with their fantasies or fantasies, which begin in childhood with certain feelings that will lead to sexualizacià ³ n parents, this desire brings incestuous fantasies or fantasies like the phallus, pleasure and distress, in the case of man and pain in the case of women.

Following this there is desexualizacià ³ n of the parents, which is an n Separation of parents as sexualized objects, and incorporation of parents as objects of identification n.

Then n is a reactivation of the Oedipus and this is observed at puberty with excessive modesty, intransigence and rebellion, in adults with neurosis and cure analÃtica with the transference neurosis.

In these films, can be seen as Woody Allen is a neurologist tico and displays all the problematic policy of a neurologist tico, all this has its beginning in the â € œComplejo of Edipoâ €, and as John David Nasio (Lacanian psychoanalysts, Argentina) This is a story of sex, bodies that feel the pleasure of touching, cuddling, biting, take daa ± o, a questionnaire ³ n bodies, desires, fantasies and pleasure.

The Oedipus complex is a vÃvido adult sexual desire in the body of a child or 4-year ± ± os, sexualized their parents. El Nià ± o is happy to this desire, but also afraid, because there is a danger of being punished for having wished her parents as sexual objects, is haunted by the threat or proscription ³ n. The specter of castration ³ n protects and saves the enjoyment.

There are three types of incestuous desires:

1. Desire to possess the body of another (the mother), there are ghosts here pleasure manifested by a sexually active attitude and the ghost of anxiety is the fear of castration by the father prohibidor.

By not achieving the goals of these desires, the girl invents ± or fantasies that seek pleasure and not consecucià ³ n of desire. The fantasy is an imaginary scene of desire that seeks to achieve real pleasure, enjoyment can not be reached, if reached that can be destroyed. The enjoyment is a satisfaction uta n ³ pica, since it is not enough for us to look ahead to the future, but This is backward s, in our past, when à © ramos Nià ± os. And pleasure is a real satisfaction n low tension n.

We are satisfied with little, so we avoid healthy enjoyment. In the film we see the Woody Allen character in disarming Harry says he wants to sleep with them all, talking to his analyst says, â € œ ... nothing has changed, I can not fix my life, I still have prostitutes I feel I've grown up, I want to sleep with all women (sexually active attitude, possessing the body of another), the reality does not interest me, only fiction n ³ start that I can not finish ... â € (Trapped in their fantasies).

The second movie we see this fantasy in which Woody Allen, when his wife tells him she wants to adopt a child, à © l, he says no, and that pruning be some problems, such as genes (like having children his own blood), paranoia (can be crazy, etc.). Finally the wife takes the baby © but à © l feel the need to know who is the mother, as well that goes to the office of Intercountry Adoption to try to find out who is the mother of his son, here I see the likes of some ensure that the child is not his mother's son that his desire is not complete or fully satisfied, ie who has not attained the full enjoyment, to possess the mother, unconsciously, and that this fantasy of the castrating father, prohibidor, that represents the law of incest and deserves to be punished for wanting to sleep with the mother.

In Mighty Aphrodite, Woody Allen, describing what he wants from a woman, given the characteristics of a mother, that is, that gives you all the things that a woman like his mother gave him when he was a baby ©. And since he can not fully satisfy this desire, is content with little and create this fantasy, so it is with his wife, to some extent is a partial order and also with the prostitute, to which you want to change, so that is a good woman or a good mother for your child, or as à © l.

The prostitute, Linda Hash, also © n has fantasies, looking satisfied them partially achieved only pleasure that is concrete, which lowers the tension n and enjoyment can not completely ideal. She is content with little, since his desire is to contain the phallus of the father and be poseÃda by à © l, to have a child with the father, Linda, look at a man the characteristics of a parent, she says: â € œ ... need a man to love me, take care and understand ... â €, she waits for the child blue prince, his father, who arrives in a horse, in this case goes on a helicopter down from the sky She also s has a second child and this new love accepts his past and with the child in her womb, as Linda has fantasized about being her son with his father.

2. PoseÃdo desire to be the body of another (especially the father), there are ghosts here pleasure manifested by a passive sexual attitude and the ghost of anxiety is the fear of castration by the father's seductive.

NIA º ± o act submissively, is a fantasy of seduction by the father n is not only charmed, but Nià ± o is the father's seductive seduce him for this, there is an attitude passive and active sexual.

In the film we see that Harry has sex with a prostitute, she ties it, because l à © so requests, here we see there is a desire to be poseÃdo by the body of another, you feel like it Sodomic, but with it are afraid of losing his manhood, he is afraid of being gay, being castrated by the father in the film is the image of death comes to knock the door of his house, when you are with the other prostitute, Japan . If you manage the enjoyment incestuous reach death. Furthermore

s, near the end of the film, when Harry is in jail, the guard tells him â € œA ndata but want to catch you €.

3. Desire to remove the body of another (the father), there are ghosts here pleasure that occur in sexually active attitude and the ghost of anxiety is the fear of castration by the father's rival.

disarmed in the movie Harry, we see this desire in the scene when Harry finds himself in hell with his father, here he has this desire to suppress the father's body as it moves, kill it in the pony © Ndolo Harry hell and thus occupies the place of the father's rival, that is, by the ghost of anxiety or fear of being castrated by his father's rival, what is lost is the phallus. There's a scene found Harry's parents and there is a rumor circulating that walked, for this reason the wife was ³ n à © l mad, and this rumor was that her husband was eating beans a few people or rather to his previous family. Here you can see the anguish that Harry sit for this father, castrating rival.

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Mr. B, I love you ...


Whenever I'm with you ...
Every time you kiss me ...
Each time you touch me, as only you know it ...
Every time we are one, when we make love ... Whenever
spoiled me ...
Every time you say beautiful things to my ears ...
Every time I put on my back and strongly embrace stroking my chest ...
Every time you make me feel that I am the man I want and there's nobody like me ...
Every time we're surrounded by people and how we say I LOVE YOU ...
Whenever I declare your love and get excited to tell me ...
Every time I make it part of your projects ...
Each time you call me ...
Every time I write love letters ...
Every time I consent to my whims ...
Every time I look in your eyes your unconditional love ...

.... I feel butterflies in my guatita.

I love you Mr. B
thanks for being you and loving me that way. Mr. G.

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Big Fish, Movie

THE GREAT FISH (Big Fish)


United States, 2003 Directed by Tim Burton
,
with Ewan McGregor, Albert Finney, Jessica Lange, Alison Lohman, Billy Crudup, Helena Bonham Carter, Danny DeVito.











veÃa been a while since a movie so good is the querÃa see for quite some time, but I could not see it in the cinema or on DVD or video, nor when released in the cable a few weeks ago, but today was the big day. After
© s of Page © sima Tim Burton film, Planet of the Apes, is © to the question of its future deliveries. But with the big fish, all my doubts were dispelled, this film is less dark, that reminded Scissorhands and Batman best viewed, but it is very, very good, so fanta and impressive acoustic are the images, that take you to a magical world and fantasy.
This film tells the story of Edward Bloom (played at different times of his life by Ewan McGregor and Albert Finney) is a man who always has a story to hand that exceeds any limits all reality, I d like to do here reference to the first words uttered at the beginning of the movie about any limits and I find very interesting dimension, regarding the scene as it presents a à © l Nià ± o as a global Encyclopedists LEAA, à © l mentioned that a child is 8 years old ± o ± os and is confined to a bed because of its growth supernatural, Symbolic lic, after this happens a series of readings Symbolic Licas I d like you to take attention, the sets in an article of fish, he mentions that if a fish is kept in a ± a small bowl, will remain small n ± os, but with more space that fish can double, triple or quadruple sized ± or later Edward when he grows he realizes that to continue growing is to leave home and explore the world, also recommends the giant that appears in the film, trying to persuade him to throw the small ± or village, says: "Do you think This town is too small ± or yourself? Well, it's too small ± or a man of my ambitious ³ n. I love every square meter of à © l, but I can feel its limits is looming over most, the life of a man only as can grow to a certain point in a place like this, "I think each of us puts his own any limits in his life, has its own ambitions and goals to achieve, follow their desires and satisfy them that he wants to stay small ± o, is free to do and Who © n wants exceed any limits , whether cultural, social, regulatory, can exterder its limits, norms, their conscience, to be free to grow, to grow, to transcend, to be happy.

In Relation parent-child seen in the movie was impossible not to see reflected in analogÃa established by son Billy Crudup-(mijito rich) with Edward, in:
First: That the parent when one is small ± o © is a super hero, but as you grow up that image is deteriorating, that's on tape, but not as Explicit.
Second: In addition s see how the mother of à © l wife of Edward (Jessica Lange) agrees to each of the lies, fantasies and all that it represents the father-husband, that bothers me ³, because in my case particular, although more and more even bother me any attitude s à © l, my father, including her movements, words and ways of being, my mother always justifies and validates it every time you criticize him, EDAP trÃada here we see that it could not be absent and perhaps as s à © l, I felt excluded from this relationship partner n.
Third: Whoever puts any limits is usually the father, to psychoanalysts there is the Law of the Father, in simple words and simple, is the prohibicià ³ n incest, consumed the Oedipus complex and hence the castration ³ n. With this movie and as a reference to the beginning of this post, I feel and I think I've been neutered often do not want to do, follow my wishes,  © is why these famous n put any limits? In my case by a parent, that makes me a small ± or fish, which contained only a small fishbowl ± ay that has all the desire to grow, these lamta are extended, open and spacious feel this is me ³ tank girl, I'm ready and prepared to launch a large river.
Fourth: I've noticed ...
- not for my age, I have only 25 year ± os.
- not my experience, I've only been with one man and is my current partner (started © in this "gay life" this year ± o).
- not having made any psychological study-Meteorological title or my memory has treated the issue of gay blogger profile.
but simply by reading my blogger friends who are gay, say friends, not for who knows but simply because they have opened their lives and experiences, I realized that all or the majority of us have a father image missing, damaged or just have problems with our father. Do be why we are gay? Not think so, but if the majority of us this is a pattern ³ n, but do not believe in the causality of things.
Fifth AoA returns the child to see his father on his deathbed, so also © n © I think when I arrived this time in my life back © to home, will feel © I love him and I regret for not telling © said. Although many times difficult or complicated situations I have felt your support, your love and I thanked him for being with me, I've forgotten too easily. Sesto
: The last one scene, is great, I loved it when the parent is done at sea before they die and become the big fish, which Symbolic lic, the water, backward, back to the womb, maybe s rebirth, dying to be born to a new life, for those who believe in transcendence or just die to live in other things, changes from one phase or state to another, burning stages, etc..
and SÃ © seventh: I did not continue to dream ± o © writing, good night.

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  que rico!

©
did not tell you who spent today in the maa ± ana, that I kept © for me, just to know conformence each day that passes, more s ³ I love Mr. B, a great time ....

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Finally!

My sweetie went out ³ the hospital today, she was released, that rich, it was time, after © s of a week of being cloistered in the hospital to have pneumonia, today is high, we need to catch up day as soon as it s more than 10 days that we have nothing, Â Â am I short the FABRIC MEASURING TAPE! jajajaja
Yesterday I gave two news: one good and one bad, I said give me the bad, Ã © l ³ expressed to me shall have to take medication for 5 months, after I told him this news tell me the good and told me ³ the doctor asked, if tena couples, Ã © l told him that only then the doctor explained that these drugs were going to be erect all day, because of the ingredients, I'm waiting loop begins at most s tratameinto soon as possible. jajajajaja
I am very happy that à © l already, what may © see all the times you want and do whatever he wants with à © l.
I love you, Mr B.


lyrics: I'll tell
©
MIRANDA! Besame

Tan
± o is
strange taste you how wrong



That must be for a month
Everything between the two

We have been mixed and it is as if freshly © n
know you're cool
and the wind you get when you get shredded


I will tell you ©
what we can do
amà ©
baby monkeys in hiding where no one is
we make of our love
s secret more profound
even sing it around the world and


au uau au uau au uau ououo


you see what happened
us here will make me
are not yet concerned


see you smile your smile in a thousand

you always distinguished the pleasure in doing exactly the wrong thing

the parodic joy
to oppose to the rest I will tell

©
what we can do
Amà © baby monkeys in secret where nobody is

we make of our love
the secret more s deep
even sing it around the world
and

never be n know
put great care
in what we do
and before whom
is only questionnaire ³ n to see
I do not speak as if nothing
us I will propose we escape
©

©
I will tell you what we can do
Amà © baby monkeys in secret where no one we
this
Let our love
the secret most s deep
even sing it around the world
and

never be n know
put great care
in what we do
and before whom
is only questionnaire ³ n
I do not speak as if nothing that we escaped

will propose ©

uau au uau au uau ououo

Isabella Melina Velba

Through a Glass Darkly (1961), Ingmar Bergman

‰ S THROUGH THE DARK GLASS, Psycho.


Through a Glass Darkly (1961)
(Saasom Spegel i)
Address and Screenwriter: Ingmar Bergman
Photography: Sven Nykvist
Music: Johann Sebastian Bach
Produced by Svensk Filmindustri
Inta © interpreters:
Harriet Andersson (Karin), Gunnar Bjà ¶ rnstrand (David), Max von Sydow
(Martin), Lars Passgard (Minus)




SUMMARY OF THE PEELS CULA, LOOK TEA "RICA AND phenomenological" GICA.
is a film by Ingmar Bergman, in her we can see how a person's life deteriorates NDOS until a serious condition.
The film begins with four people that come out of the sea, are of bathrooms ± ass, one of them is an older man, who is the father of two children, as well s being a famous writer, another is a young, Minus his name is, who is the son, between them is a woman named Karin, quia © n is subsequently become ill, she is with her husband, an older man.
The two brothers head to find the milk, being in the way they strike up a conversation out, where she hears a noise and thought to be â € œthe Cuckoo € as meaning that is used to listen to â € œcosasâ € , have auditory hallucinations. Minus
throws the milk and tells his sister that women are horrible, adding that not tamper with, or kissed, and states that women smell. There is incest between two brothers as the law of the father does not exist in the life of Karin, Minus ends this dialog saying and expressing the hope that if I could talk to your dad.
the dynamics family is dysfunctional, because the mother dies when they are small ± os and the father is a writer of novels, is absent so far from home, à © l tells his children he does not remember having promised remain, it is clear that not responding to the demands of their children to stay with them, maybe l à © s trying to compensate for his absence with gifts, that perhaps s for them are small ± os, in the sense that prefer that the father gifts, father retires and goes into the kitchen, with there gets to mourn, then comes home to the family as usual, they blindfolded him and take him to a kind of stage presence beyond a play acted by his family after the termination © s à © l applauds and congratulates them, telling © Ndola to € žÂ The involvement Super n! â € ³. Karin search of his identity, wants to assert themselves and this is their need to know who is, as the psychologist tico seeks to know who he is, so look for recognition, return to the narcissistic omnipotence, the similarity with the object is replaced by the feeling of being admirable for any other purpose, since it is recognized in others.
The parent, the apparently has trouble falling asleep, not sleeping and take medication, his daughter wakes up at night, hearing a noise, gets up and starts to listen through a wall © s, the noises you hear are auditory hallucinations, she begins to moan and falls to the floor, then sits in dad's arms and bed making and, if you ask before you read, were 04:00 in the maa ± ana and appears Minus, the dad tells the if you raise the nets, while her daughter begins to check the drawers and found a book, a sort of diary of the father in the read that the disease is irrecoverable, is incurable, she has lived most of his life stigmatized by word or statement currently that is sick, she even proclaims itself to be sick.
be directed to your room No, wake up her husband and Karin tells him â € œdespertà ³ a while and had weird experiences or strange ± loop €, tells him that Leya ³ the diary of his father and that he can not tell what escribÃa it, about which she had a incurable disease.
The husband insinà º to have sex with à © l, but she says she does not want to have sex and apologized, said that someday I reapplied to want, recommends that you find another woman, in a sick person the first thing it is affecting their sexuality.
After her husband's father go to sea, while the charge that she has to help his brother, Minus, in his lectures Latané, when she goes where à © l, which is seeing a magazine with naked women, she says who loves, à © l says that. In his conversation
No, she says it's difficult to talk about something you have in mind, adding that every day someone calls and hears a voice, says â € œ ... I believe God will appear among us .. . â €, says his brother is not real to à © l, referred © climbing again says her sister, she goes on to say that â € OEDI low mountains ± a. .. â €. tells his brother that goes to sleep and close the door, change your emotional state, and they get angry and tells him to go, à © l is gone, but when you open the door, she turns to have a change of attitude and tells his brother studied "â € žÂ beat in? â €. She splits, since the dissociation ³ n is the mechanism by which the self and object are divided into two acoustic fanta. The Division of the object is set to function n the idealized and persecutory features, and in correspondence with a division I n concomitant, structure NDOS therefore two Simultaneous vÃnculos I neos between aggressive and an idealized object of persecution, and loving me a good idealized object.
Delirium or alucinac ions appears in retrospect to give Significance n the absence of original meaning, the name of the Father is simply absent from the universe psÃquico the psychologist tico, in psychosis runs a peculiar mechanism, radically different from the known mechanisms the repression or the renegacià ³ n, present in hysteria, obsessions and perversions, to name this mechanism, Lacan ³ a Ta © Terms of Freud â € œVerwerfungâ € which à © l translated into French © s like â € œforclusià ³ nâ € and designates the radical rejection of the item in ques ³ n if an element is suppressed, may return in speech, in the signifying chain, in Symbolic lic. but if it is foreclosed can not return in Symbolic lic, for the simple reason that ³ n ³ aha never existed: it was banned excluded. Then, it returns in Symbolic lic, but in reality, for example in the form of hallucinations. At the onset of psychosis, Lacan showed that there is a forclusià ³ ³ n of his father's name was not suppressed, is completely abolished.
In other words, delirium can act as a way of making sense of the threatening world around the subject - just threatening by the lack of essential n Significance imposed order.
Freud believed that the hallucinatory episode is testimony to the failure of the defense psychologist policy as this fails to remove a permanent manner the danger of castration ³ n whose trace is reactivated. The representation n bean rejected returns from abroad and is now transformed into something hallucinatory, certainly the mark of castration ³ n was rejected from the unconscious, but returned in the form of hallucinations ³ n. Karin and Minus
, talking she tells him that's going to rain, insists that â € œthe € vieneâ rain and she starts and à © l the remains, she hides in a boat it is beached, it is beyond sleep, hugs and insinà º an a relationship n incestuous between the two, she tells him that is sick, asks him to help and says he is thirsty, Minus will find blankets and kneels before it is evident that n incestuous relationship.
comes a father and husband, tells Minus has been very ill and he is sent to medicines, Karin says she does not want more treatment s and prefers to stay in the hospital.
Karin starts to talk to his father vent the wastage © foward to a voice made to read his journal, but has made things worse, much worse, says ³ resisted but was forced, said that â € œjusto now, poor Minus €, referring © climbing again the abuse of which Bean made object to his brother, his father told him to try to calm down, but she begins once more sa decompensation and continues º an hallucination, said: â € œhay good people waiting for the door open for God .... I can not decipher the disease is it? â €.
's father apologizes to Karin, called © foward forgiveness ³ n, à © l says that â € œthe à © success was greater than the death of Ringtones Madrean €, but Karin says, complains Ndola to € žÂ what my disease?, you're gone the extranjeroâ €, she ends the conversation out vent the wastage © foward to her father that she must go home to pack.
In psychosis and Karin, we can see how the disease is caused by a disorder of the simbolizacià ³ n of the experience of castration ³ n, the forclusià ³ n is the default Interests ³ n in the unconscious of the normative experience of castration ³ n, as is symbolized allows the nia ± o take charge of their sex and ASA to become able to recognize its limits, when it is symbolized, that is the case of psychosis, is expressed by an uncertainty of patient psychologist tico about their sexual identity and a Page © Loss sense of reality.
So psychosis is a defense inappropriate and more ³ rbida against the danger of remembering the castration ³ n, hence the inability of the ego to defend against the danger intolerable, the painful experience of the castration ³ n, which is primarily the castration ³ n of the Other that of the mother. For the NIA ± o, how painful the experience was finding and perceive in the female body the absence of the penis that suponÃa mother poseÃa, the representation n intolerable for me is nothing but the imprint left by the painful perception n the absence penis in women, this is painful for the NIA ± or it means that also © n may be deprived of the penis, and pain in addition to s that this perception n confirms the seriousness of the prohibition of incest father ³ n. Minus
follows his father, but she hides à © l. The film ends when speaking Papua Minus ³ says to me, because throughout the film is the manifesto ³ need, maybe s à © l had already symbolized this castration ³ n and the law of the father assumed tena. But for à © l was necessary reframed. Karin
sends her husband to find a pill for headache, it disappears and all seek, but she is in room n above, talking to herself, showing once more s hallucinations, â € OESA © will not be long, we've been happy waiting, say you come prontoâ €, the husband is ± wing to it that any public God through that door, she asks her husband if she kneels. When it comes ptero ³ chopper that comes to look, opens the door and she screams, cries â € œtenÃa fear that God was a spider entered ± a. .. and I saw his face, his eyes rose ³ frÃos ... for me and then to the wall ... I have seen God €. Karin is going to institutionalize, as ill, psychologist policy.

That ¡s para
infortmaciA ³ n:
http://www.mundofree.com/cine_nordico/Ingmar_Bergman.html
http://www.mundofree.com/cine_escandinavo/Como_en_un_espejo.html

Homemade Rabbit Water Bottle

Movie Unfaithful, Ingmar Bergman

INFIDELIDADESY
ELDOLORDELAHISTERIA

Infiel (2000)
(TrolA ¶ sa)
DirecciA ³ n: Liv Ullman
Guia ³ n: Ingmar Bergman
Director de FotografAa: Ja ¶ rgen Persson
Productor: Johan Mardell
ProducciA ³ n: Sveriges TV Drama
Inta © interpreters: Lena Endre, Erland Josephson, Krister Henriksson, Thomas Hanzon

infidelities
The film tells the life of a woman who has a historical neurosis © rica, and in it we see the pain of hysteria, because it can not be happy, but it is most unfortunate s, and constantly unsatisfied, we have the example on the tape where she (Marianne), has everything to feel satisfied and happy, has a husband (Mark), a daughter (Isabelle), a house, etc. Her husband has a friend, but she tries to ruin this seemingly happy family, just with the family friend, David.
â € œDavid and Markus were friends, the vein to be home for dinner and was a friend of Isabelle (daughter of Mark and Marianne), Ã © l room with her at times €. ©

The rich historical searches his fellow man, loved or hated, the Other of his ghost, those items that is strong and abuse this power to humiliate and dà © Biles points to feel compassion ³ n. We see Marianne acknowledges these points and David Markus. Marianne
describes David: â € œ ... David is ... is ... 40-year ± os, talented, unpredictable, friendly, detail ... rude and brutal ... not have too many friends ... rather have enemies ... very detailed ... Perfectionist ... very careless life privadaâ €. Marianne describes
After Markus said: â € œtu know how it is ... Family Judah ... average ... has musical talent ... professional ... componÃa ... played pianoâ € ... "The only problem was that Tena choose € ... â € he loved life, joie vivreâ € ... â € Isabelle is very similar to Markus, closed to bear strange ± €.

The rich historical © transforms the material reality of the internal or external objects fantasmatizados objects, ie hystericized, such an expression n eroticized human or whatever, even for themselves, in intimate, non-sexual nature, with the utmost in innocence, not knowing what is not sexualized sexual appropriates every gesture, every word or all perceived silence on the other or qua © Ã © l it leads to another, when we see Marianne note:
â € œ ... Everyone congratulated and embraced on stage and (It was found to David) went to dinner together at my house (she was alone at home without Markus, Dormaa daughter) went to see Isabelle, I wore a robe and I comb, I made an omelet and comimosâ €.
â € œ ... We are like brothers ... Markus might arise anytime ... both tenÃamos dream ± o, it was time to sleep ... The sister with the hermanoâ €.
â € œ ... Do you want to make love?  € He told David, she pretended not had heard and asked â € žÂ what had him say?  €, of course, she Bean heard that proposal, David asked, once more s: â € žÂ you want to make love? â €, she respondÃa this proposal: â € œDavid as you think you can spend it ... thanks for the offer ... maa ± ana me rise up tempranoâ €. David â €
Oele proposed € separadasâ sleep in beds, but she preferred to sleep together ³, told him: â € OESI want to sleep with me is, if you're sad or alone I can hold hands € ... â € we undressed, like an old couple ... aha until everything was fine, right, nothing bad ... we got in bed ... seguÃa all like brothers, not incest ... (³ takes you by hand) ... © and Tena woke her face in front ... © looks ... © looks at him closely, I realized that never before had seen that ... was someone who existirÃa one second s most never see it, not thinking he was not thinking ... â €

The historical © rich organic can have sex SMIC (clitorÃdeo orgasm or vaginal) without compromising their being women, they worsen ± a surprisingly in insatisfaccià ³ n, wants to be dissatisfied with the satisfaction that guarantees the fundamental sanctity of his being. The most s is unsatisfied, is better protected against the threat of a pleasure that she perceived risk of disintegration ³ n and madness.
When they had sex for the first time, David and Marianne, she says â € œ ... I can not explain who spent as long It shall be inside my body ... â €, Marianne tells David â € Oeun Fun before death ... played by higher demands ... â € â € says Marianne œaunque then I'm not happy with my partee €.
Marianne says: â € œestaba in a state caa ³ tico, never the same, Â "I keep everything to myself? or Do I say to David? ... flashing lights or caution encendidasâ € n
Marianne were talking about Markus says: â € œhabÃamos n had good sexual relationship, sometimes when the perdÃa love hacÃamos head, concienciaâ €, then you insinà º Markus can be unfaithful to David, and Markus said: â € Oeta º and David is impossible, it would be a betrayal n and I know you and David also © nâ €. © s
After having returned from Paris, where algae passes ³ º n Marianne time David goes to the department again and there have sexual encounters, she says with reference to this: â € œfue like a dream ± o. .. where s what I fear most happens again and again (orgasm) ... says she was weird, not to cavities ± osa ... awkward ... aggressive ... David was impatient, inaccessible, I was afraid ... try to take their hands and wanted to get away €.
Marianne says: â € œ ... we see twice a week, sometimes I feel anxiety, something I sucedÃa that it could not control, it could not take decisions a personal one, never talk about this, how I can talk about that which has no words? It is relentless, frightening, the process can not be stopped, David grows in Marianne, Marianne does not want to expose ... â €

People are seductive rich historical © par excellence, but they are not aware of the process say â € Oeno is still € because I do not know as seduce them born, and do not realize.
œeste matter â € ³ David went from nothing to what madness possessed me ³? I just thought tena take David to Paris €. Â €
œahora will actually be unfaithful, adultery planned, it was real, David came in here tardeâ € Marianne can be seen that there is a tinge of guilt.

In the hysteria of transfer talks in the sequence painful transfer, which is evidence of distress, with this record © the Dora case, she decided ³ not to continue the process and not face this test of anxiety in the movie I see that when Marianne does not want to go where the director, who vendrÃa to be like the analyst, is because it is at the gates of test anxiety, in other words, to make it more s of course, the definition n which gives the book is: an ana lysis is returning to the starting point, the point of origin ghost tico of neurosis, and play within the cure the same situation ³ n of danger in the unconscious, causes distress . ie, create anxiety and then solve it, it is instituting a new neurosis, hysteria transfer and try to find a better way then the Conversion n. This other way must be directed towards all analÃtico work is condensed into a formula: go through the anguish. The psychoanalyst aims to create the conditions for the analysis confronts, at last, your fear. Marianne is absent
going to talk to the â € œdirectorâ €, said that the absence is for a cold, but then says in the letter: â € œtu you sit at your desk and hope that Marianne does all the work. .. I am haunted ... but it is difficult to talk about it is impenetrable ... I'm in a situation that worries me ... I get the fear at the thought of Isabelle, I think of horrible words in front of a wall to what I'm doing to Isabelle? Â "I'm doing Isabelle? ... Marianne inside there is another person with another € compile id. Marianne

speaking of jealousy that David asked about her lovers, remains indifferent to the game, gives details of his biography erotic, both fray, it becomes more s bold and â € œ ... ³ tonight hell broke loose, jealousy You are right not to be ... I think I will stick ... David beats him and what he says is  Marianne stop! ...  bloody idiot!  €, then Marianne David Rae and distressed the same way but is angry, but shocked, â € œcambio our relationship n this nocheâ €. N
This relationship was in one way or towards a direction in which Marianne is pruned find happiness, pruning and not be dissatisfied, as well that unconsciously he had to ruin, to tell his entire sexual history to David. Marianne
to reach Copenahue are staying in a hotel, then comes David, Marianne hugs him and begins to mourn, â € OEERE two people drowned ndoseâ €, cry, cry, â € we hugged but we could not do love, can not sleep € David tells Marianne: â € œnunca € bean felt so much pain and Marianne thinks: Do you must be so painful? Do other login and pay?. The historical ©

rich are always acting in a movie, even though Marianne was an actress, mentions this phrase implies she sees as â € œ ... it is impossible if we as actoresâ €. © s after having made love with David.

The Phantom of castration ³ n in the historical © rich saves and protects the enjoyment, but to disrupt their way of perceiving beings loved or hated, and this will depend on; the perception of its strength or its weakness football lica. So emotional relationships of historical © inevitably become rich relationships of dominant and dominated. Marianne
to be discovered by her husband Markus feels humiliated, she says â € ³ œaquà began tragediaâ €, says the threat was Marianne Markus € â € œva hurt.

http://www.mundofree.com/cine_nordico/Ingmar_Bergman.html

http://www.mundofree.com/cine_nordico/Infiel.html

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Movie Kisses ....

Today, my partner is hospitalized, to have a pneumonia, is when s value much more intimate moments in which we can kiss without restrictions or limits.

à ‰ l, log ³ to hospital on Monday night, on Tuesday served 8 months of dating, Tena really wanted to kiss him, but could not, but yesterday can not stand f rente a lot s witnesses we kiss , secretly, without anyone seeing us, was the kiss s most desired and expected in my entire life, was a tender and passionate kiss, but the time period was not long, I enjoy it © since the moment my lips rested on his and our tongues toying with each other, both showed desire, pleasure and above all love, love. The d

Ãa today we repeated the kiss, only this time it was two, my hand was in his head stroking his neck, while pronunciabamos parting words at that moment our heads together like our cheeks, while desimulados our mouths were sought, enjoyed the kiss, as much or more s than the previous day, but not enough for a kiss, s wanted more, so we turned to take another.

I hope it does as soon as possible so we can caress, kiss and so much more s.

remember the first time we kissed, it was a January 13 this year ± o, and my husband Mr. B, it aptly describes in his blog:
".... I get
eve of my birthday ± os. After the first meeting with Mr. G (I) we agreed to celebrate together that day. I happen to look at 9 of the night. I was prepared to have fun. To continue the conversation, to tell more things more and learn more things à © l, which ultimately was what mattered. At 9 o'clock came, I climb into the car and we decided to buy a pisco sour light, we went to the sea, a lookout and look 12 at night. I kiss arrears. We talked about many things, while my head was spinning the idea of \u200b\u200bslashing his lips ... I wondered how I would kiss?, if I'd Do kisses?,  would overcome what if reality to fantasy?. Until that time there was only rubbing our hands. All indications were that night could touch her lips. Maybe it sounds cliche ... but I promise that if she kissed him could die in peace. 11:58 am
As of the eve of my birthday ± os vi that began to accommodate the car seat ... © thought ... Â why is this accommodating? Do you have in mind?. In my head was turning even the idea of \u200b\u200bkissing. They came at 12 and do not take it anymore. I did. I had my gift. My first kiss as Mr. G (I) in my arms.
From that moment things were more ciles football. We talk about very intimate things, both we wondered why he was doing, and we felt that we always knew. I knew he was Mr. Right ... "

There's a poem I would like to rescue Gabriel Mistral to put here.

KISSES kisses are pronounced by alone only love
Case conviction,
Some kisses are given with the eyes
Some kisses are given to memory.

are silent kisses, no kisses kisses
noble enigma ticos, sincere kisses
is given only the souls
is forbidden kisses, true.

There are kisses that burn and hurt,
Some kisses snatched senses there kisses
mysterious
thousand dreams have stopped wandering and lost ± os. There are kisses problematic


ticos enclosing a key that no one has deciphered
Some kisses
engender tragedy have many roses in bare pin. There

perfumed kisses, kisses warm
throbbing in intimate desires,
Some kisses on the lips
leave tracks like a field of sun between two ice cubes. There

kisses seem lilies
by sublime, naive and pure, there are kisses
treacherous and cowardly,
is cursed and perjured kisses.

Judas kisses Jesus s and let
printed on his face of God, felonÃa, while Magdalena
with kisses
strengthens its agonÃa pious.

Since then kissing beats
love, betrayal and pain No,
in human weddings seem
the breeze playing with flowers.

There are kisses of love produced desvarÃos
burning passion and wild,
Ringtones know them well are kisses mÃos
invented more for your mouth.

Kisses trace calls that are printed
the grooves of a forbidden love, kisses
storm, wild kisses
only our lips have tasted.

Do you remember the first ...? Indefinable ³
covered your face with red Cardenas are
and spasms terrible thrill, sà ©
filled the tears your eyes.

Do you remember that one afternoon I saw
crazy jealous over imagining grievances
stop you in my arms ... ³ vibrates a kiss, and qua
© © view after s. ..? Blood on my lips.

teaches ± ea I will kiss: kissing frÃos
are unmoved heart of rock, I
± Ã © teaches you to kiss with kisses mÃos
invented more for your mouth. You

I love Mr. B

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  8 months already!


Today almost 8 months since we hooked up, since that time we gave our first kiss and knowing that we were the one for the other, began to be couples on 13 January this year ± o have been the best months I've experienced in my 25 year ± years of age, full of love, happiness, commitment, joined ³ n, sex, etc., is the person to whom I loved most s, with which I've lasted more s, that s more supported me, which pleased me at all, every one of my whims, desires and child ± Erias.
I love you, like never I loved, I am happy to meet Mr. B and be my partner.
I'm a bit sad because yesterday was the mà © dico, for a long cold and pain in the lungs after a © s of x-rays done immediately left him hospitalized, because she has pneumonia, and deca me the fever (fever) not due to more, but to his state. Today is Tuesday, 13
do not believe in bad luck, or in the good luck, but anyway, remember © this day, one of which will be important in our lives, we're together now deficiles I d like to be with à © l, ± andola accompany every moment.


PD: Well .... © will have to go out and celebrate these 8 months alone with my partner, lol (joke).

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Don Juan De Marco, Movie.

SUMMARY The film

DO N JUAN DE MARCO
is a film that is a man who claims to be Don Juan de Marco, à © l attempts suicide by he could not conquer the woman Who © n à © l really love, being about to commit suicide comes a psychiatrist who works in a health service that has to do with justice ence, à © l does not commit suicide and start a therapy with à © l, tells his life story, where à © l claims to be Don Juan de Marco, with his stories, fuels the fire of love is this psychiatrist for his wife, who is in the twilight of maturity.



LOOK TEA "RICA AND phenomenological" CASE GICA

The pe Lacul begins with a man, which is arranged, take perfume and put on a mask, and saying â € says the best lover œsoy the Mundoo € ... â € Oele I made love to more than a thousand women a s € ... â € œninguna woman left my arms insatisfechaâ € ... â € œsolo a queridoâ not €.
For this reason ³ n à © l says â € žÂ ± os my 21 year I have left my life, but last one, A final conquistaâ €.
is about a woman who is in the hotel restaurant œSevillaâ € â €, she said that waiting for a friend, but à © l calls himself Don Juan de Marco, she sonrÃe, and à © â € he added œI give them pleasure, if they wish €, she plays with the holder of an exciting and masturbation, while à © l, begins to seduce her with his words, telling © foward that there are women with a beautiful face, curves their ears and they all have something beautiful, in her words began to explore his body from his hands at his feet, then we see that à © l have sex with this woman, the historical © rich, has an ego freak, therefore appropriates all the gestures all the words or silence all he sees in the other or that à © l it goes to another.
says that every woman is a mystery to solve.
says that â € œthe time of excitation ³ n is greater when it has reached a comfortable second spideâ €. While
up a poster that has the photo of the woman who has stolen his heart and uses the mask as à © l, said that â € € œahora must die, The police says that she has a disguise of Don Juan, called the psychiatrist and when it is presented as the best œloquerosâ € â €, to get where à © l, Don Juan tells him he wants to swordsman Don Francisco Silva, the psychiatrist asks for Quà © wish to end his life, à © l replied that there is nothing to live for, when doa ± a Ana does not want, he says with a tone of preg smeared, DOA ± Ana should be special and à © l replied that without it life can not continue, the psychiatrist tells him that lose everything, à © l n asked forgiveness for what You tried to do.
à ‰ l by identifying himself as Don Juan de Marco, assuming it is not, there is an inconsistency of the individual ego is a rich historical © I have not gotten themselves under a ³ n identification of himself. Certainly we all set our identification costs ³ n the character we want to be and there is always some difference between what we want to be and what we are. In this regard seem to be otherwise than they are. But in the rich historical © character mask completely hides the person. The whole of the person reflects this rich historical © € â € œfalsedadâ and organization system n develops a false character building living a false existence.
Furthermore s the Repression Amnon © music by real events, is that there is repression, ignorance, in the course of life, it removes the real memories (amnesia, illusion of memory) to replace gaps or for lies , he lives a life that is not yours, it is not real, Ã © l is not Don Juan. Everything in their behavior and attitude testifies to this desire to substitute the reality principle for the pleasure and fantasy, the historical © rich is like the NIA ± or that fails to constitute the fabric of its existence, the chronological order of memories, the forgetting, false memories, memories œpantallaâ € â €. All this is one of the essential features of the historical unconscious insincerity © rich, as well neurosis neurosis appears as a desire, desire to please, desire to exhibit, desire to seduce, desire to offer as a spectator ass. They want all the behaviors guÃan Repression, separating or denying the events of personal history, while the profound demands of libidinal drives. N
The falsification of existence, is common in the historical © wealthy, as it not only lives in a m fictional undo the effect of the Repression of everything Provision must be the plot Autonomous © ntica of his life n relationship, but also continues to get s € â € œbeneficios side of his neurosis by a kind of erotizacià ³ n of the imagination n. à ‰ sta becomes a real Ringtones © cnica of n libidinal satisfaction. It is particularly in the perceived world, where à © l alter the concrete reality, can not see things as they are, it relates to their ghosts. à ‰ l in addition s orgasm impossible to replace the joys of gaming and simulation, and handle the debauchery occurs more or less Symbolic lic of sexually imagination is an integral part of the theatricality of the existence © rich historical, in which the neurologist desempeà ± tico its role as an actor. Often life is its rich historical framework © â € œnaturalâ € between the racks of theater in the world of artists in general.
Being admitted to the Psychiatric Don Juan asks the doctor, Do you know about love? Do you have loved a woman until her milk outbreak? Do you until she feels satisfied, which operates and just crying cause?.
While the psychiatrist who called as â € œOctavio of Floresâ €, says that his men have removed the mask, which has never been removed in the Public and that this will get you in Laos, from 16 ± year old who has it on, since his mother left ³. Ã ‰ l
begins to tell his life, saying he saw his mother naked, â € œdesde the first few months there was something different in maa €, ³ mother was not directly, but à © l saw it through © s a mirror, the ghost unconscious causes hysteria is a ghost eye, the threat enters the eye in the case of the Child ± or rod ³ n, we have to be overwhelmed with horror at seeing the image of the body without clothes, a woman, be exact, the naked body, â € œcastradoâ €, of the mother. Of the mother or any other woman with whom there is a bond of love. N The vision of the female body, perceived as a private body of the penis, it causes distress because NIA ± o à © l think it can be the victim of a ³ n equals castration. ³ Just that he saw his mother naked, perceived © foward castrated, to immediately assailed by the fear of suffering the same fate.
continued commenting that their games were different, it is concerned ³ to the mother, as it looks, à © l seducing the nuns in the church when I was a little more s largest, while Nià ± os played, Girls ± hacÃan as row for kiss, that one day he saw â € Oedo ± a Queridaâ €, in the window of his house with a shirt ³ n silk, barely touching your skin, this to à © l is ³ very exciting, à © l has a self that hystericized ie eroticizes any Expresiones human or whatever, even for themselves, in intimate, non-sexual nature, it does so with the utmost in innocence, unaware, à © l sexualized it is not sexual.
Account as her parents met and night of passion that had the first day they met, and it was love at first sight, Ã © l was born exactly n at 9 months after © s.
The psychiatrist will require medication to Don Juan, but à © l told that if they are given, will not be able to enter their world.
We apply a test, much like the Rorschach, maybe s another set of mines, Ã © l describes a very sexual. Ã ‰ l
says he sees women as they really are, not limited in its view, but sees the more s deeply.
à ‰ l recounts his first sexual experience, begins by saying that the mother had found ³ a tutor, call doa ± a Julia, 23 year ± os, married to an older man, she is reading in the Bible a Page paragraph Deca handle more or less â € œglorifica God with your body and spirit which are God's €, à © l tries to seduce her, one day in ³ ria à © l, when atardecÃa, he begins to court her, but she says not consent, but after a © s à © l kiss you give, it did, and continued this relationship for algae n º n time, even said that he lived almost at home with her.
Don Juan asks four questions qua Do © is sacred?, © Of what is spirit made?, Why do © is worth living?, Â why © qua worth dying for, the answer to all this is love.
Among the diagnoses that handled the psychiatrist was an obsessive compulsive personality with possible historical © rica.
In another session ³ n à © l quota º to telling his life story with DOA ± a Julia, à © l husband she discovers with à © ly trying to kill him, but the husband spurned planting the rumor, saying that à © l, was loving mother of Don Juan, for this reason ³ n's father challenges him to a duel to defend the honor of his wife, à © l it hurt, but before the death of her son tells her to forgive him, then à © l kill the murderer his father, during the offensive's mother says he can not lose both, Don Juan says that his mother never had an affair, in addition s states that since that night put a mask on his face and swore not remove rsel in the presence of another, to hide the vengeance and rage that has said that his father left him too soon and had no opportunity to ... (Says nothing). Here we see something common in the hysteria that is being part of a triangle, we see it as EDAP, in the desire that has to her mother, where à © l is the excluded middle, by the father, is the third excluded from ± doa marriage to Julia and her husband, the Sultan appears more n s forward and when his father died remains the third excluded because his mother was a loving husband doa ± a Julia.
à ‰ l that her mother went to Mà © xico and entering a nunnery, and à © l takes ³ a ship, where all passengers were taken prisoner and sold as slaves, said that à © l was purchased by one of four wives of the Sultan ny having a harem of 1500 women, when women who bought ³ wants to have sex with à © l, this says that â € EASO º n loves another €, but she to tell him undress, à © l says that as sleeping with another woman owed may not was doa ± a Julia, adding that he was surprised ³ as he could remember speed rapidly, and he agreed ³ the desire of his â € œdueà ± a €, although they might have sex, does not vÃnculos affective or not involved emotionally and deeply with the people you have sex, is pending in meeting the Other, and I still dissatisfied.
When Sultan n see him dressed as a woman, as part of his harem, is cited for a sexual encounter that night, Ã © l helped the woman, takes a boat that sank ³ and reaches an island, being there known his new love, she is 17 year ± os, L Ã © promises to love her, but says that â € œella bean I thought I reserved for her as she Mia €, Ã © l can not lie and tells her that before she has been exactly one. ... 1502, with this she puts the mask and humiliation n. As stated Lacquer n in one of his seminars, from the moment that there are names you can make a list of women, and counting. If it can have © 1502 rsel one by one, which is essential. And it is very different from one of the universal n fusion. If the woman was not-all, if your body were not all as non-sexual being, none of this sostendrÃa. Once more
s Don Juan asks the psychiatrist  © n "Who am I? and à © l replied Don Juan de Marco, the best lover, whom the world has known, à © l ask you what's Who © n? and à © l responds â € œsoy Octavio de Flores, married with DOA ± a little light, light of my life, you have seen me through © s of all my most scarasâ €.
At the meeting mà © indicates or Reunion clinic, Don Juan pretends to be Who © n everyone thinks it is, to get out of Psychiatric and â € Oedon Octavio de Floresâ € with his wife lead him to the island where meets his love, DOA ± a Ana
The historic character © Rich has three components, the suggestibility is autosuggestion is pre sented as an individual plastic, meaning that it is impressionable and inconsistent, and that his person does not get fixed in authenticity of a personal identity firmly established, Ã © l © s character after reading the book Don Juan de Marcos, assumes that personality, self-suggestion. The mitomanÃa, we see their lies, comedies, fables continues to forge relationships with too s, when he recounts his story, is always offered as a spectator ass, because its existence is in his own eyes a discontinuous series of scenes and adventures imaginary. Sexual disturbances, we see that the emotional and passionate expressions are somewhat theatrical, too, contrasted with strong sexual inhibitions. Asa € â € œdonjuanismoâ male of rich historical © always hide impotence, premature ejaculation or perversions ³ n, the conversion utility is present for this fear or anxiety of being castrated.


In conclusion, I will use the words used in Lacquer n.  € œ ...
to do this is to say also that Don Juanism © n has said perhaps his last word, no matter what the analysts say. While in this area have made contributions interesting, if you have glimpsed something pertinent to the notion of homosexuality ³ n de Don Juan, not intended to be regularly taken.
I am deeply convinced that Don Juan is a character too far from us in the cultural order that analysts may have had a perception of the n set. The Don Juan de Mozart, if we take it as the culmination of character and something that signifies the culmination ³ n se a question, in the sense that I understand here, is certainly very different from a character-reflection, as Rank construÃrnoslo wanted. Without doubt, do not understand this bias º nicamente double.
In my opinion, © na also contrary to what they say, Don Juan is not simply mistaken, much less with the seducer in the possession of small ± os No effective tricks ³ n. any occasion I think Don Juan loves women even say that he loves them enough to know, where appropriate, decÃrselo not, and who loves them enough so that when you say it, they will create.
not banal, and reveals many things, that for the situation is always a ³ n ³ n-sac situation. I think we have to delve into the meaning of the notion of women ³ n fà lica.
In Don Juan's relations with its object, there is certainly something about a problem of bisexuality, but precisely in the sense that Don Juan is looking for women, and women's football is lica. As the search for truth, as it will look like is not content to wait or to contemplate, is not found, or only what ends up finding foward in the form of one guest claim that in effect is a more s than the women, unexpected, and not in vain is indeed the father. But do not forget that when it occurs, it does, curiously, in the form of the guest of stone, the stone with his hand and closed absolutely dead, there s more of all life in nature. In addition, AHA is where Don Juan just broke NDOS find the culmination of his ³ n destination ... â €.
â € œ ... n The relationship is read perfectly in what we can find n in the labyrinth and the rodeo Rank: that what is discussed in Don Juan, if you link it to a certain state of the myths and rites, Don Juan's contribution represents, Rank says â € "and here you guide your bu Smell here © à © l that little was able to overcome the soul without losing yours. The famous fundarÃa (....) are in this existence that you know the priest matica Booty Bandit of the first night is here, in this area.
But Don Juan is a beautiful story works and produces its effect, even for those not familiar with all its niceties, it probably is not absent from the song No Mozart and found to be more s good side of "The Marriage of Figaro" to "Don Giovanni" .
footprint sensitive about Don Juan is that the complex relationship between man n his object is deleted for à © l, but the price of acceptance of his imposture n radical. The prestige of Don Juan is linked to the acceptance that no fraud. He is always there in the place of another: it is, to say handle, the absolute object.
Don Juan is a dream ± or female. If necessary it will take a man it was perfectly equal to only himself, and in some ways a woman can claim to be with relation to à © l, a man who does not lack anything. This is perfectly sensible in a Ta © Terms on which will have © to re-prop ³ site of the general structure of masochism the relationship n of Don Juan with the image of father as not neutered, that is, a pure image, a female image .
The ghost of Don Juan is a female ghost, is the desire in women of an image that plays a function n function n ghost policy, there is a man who has it first, is not neutered, which is obviously a clear lack of understanding; but much more todavÃa s: à © l I tend and always, you can not lose. What exactly means the position n of Don Juan in the phantom is that no woman can take tell him, this is essential, and of course â € "so I said that this is a ghost femeninoâ €" this is what à © l has on this occasion ³ n to meet with the woman, who, incidentally, you can not take because she does not. The woman sees the homage of male desire is that the object becomes its membership. This does not mean s nothing more than just hold, that is not lost, Don Juan assures that there is a man who is not lost in any public event.
That's the opposite sex, male sex, for women. In this, the image of Don Juan is very important ... â €. Wedge is well known
nt analysts have fun with Don Juan, which made everything, and even what is the limit, a homosexual. But CA © ntreselo on the image you just let them, that sexual enjoyment space covered by open sets, which are a finite, and that ultimately counted. Do you not see that what is essential in the female myth is that Don Juan has one by one?.