‰ S THROUGH THE DARK GLASS, Psycho.
Through a Glass Darkly (1961)
(Saasom Spegel i)
Address and Screenwriter: Ingmar Bergman
Photography: Sven Nykvist
Music: Johann Sebastian Bach
Produced by Svensk Filmindustri
Inta © interpreters:
Harriet Andersson (Karin), Gunnar Bjà ¶ rnstrand (David), Max von Sydow
(Martin), Lars Passgard (Minus)
SUMMARY OF THE PEELS CULA, LOOK TEA "RICA AND phenomenological" GICA.
is a film by Ingmar Bergman, in her we can see how a person's life deteriorates NDOS until a serious condition.
The film begins with four people that come out of the sea, are of bathrooms ± ass, one of them is an older man, who is the father of two children, as well s being a famous writer, another is a young, Minus his name is, who is the son, between them is a woman named Karin, quia © n is subsequently become ill, she is with her husband, an older man.
The two brothers head to find the milk, being in the way they strike up a conversation out, where she hears a noise and thought to be â € œthe Cuckoo € as meaning that is used to listen to â € œcosasâ € , have auditory hallucinations. Minus
throws the milk and tells his sister that women are horrible, adding that not tamper with, or kissed, and states that women smell. There is incest between two brothers as the law of the father does not exist in the life of Karin, Minus ends this dialog saying and expressing the hope that if I could talk to your dad.
the dynamics family is dysfunctional, because the mother dies when they are small ± os and the father is a writer of novels, is absent so far from home, à © l tells his children he does not remember having promised remain, it is clear that not responding to the demands of their children to stay with them, maybe l à © s trying to compensate for his absence with gifts, that perhaps s for them are small ± os, in the sense that prefer that the father gifts, father retires and goes into the kitchen, with there gets to mourn, then comes home to the family as usual, they blindfolded him and take him to a kind of stage presence beyond a play acted by his family after the termination © s à © l applauds and congratulates them, telling © Ndola to € žÂ The involvement Super n! â € ³. Karin search of his identity, wants to assert themselves and this is their need to know who is, as the psychologist tico seeks to know who he is, so look for recognition, return to the narcissistic omnipotence, the similarity with the object is replaced by the feeling of being admirable for any other purpose, since it is recognized in others.
The parent, the apparently has trouble falling asleep, not sleeping and take medication, his daughter wakes up at night, hearing a noise, gets up and starts to listen through a wall © s, the noises you hear are auditory hallucinations, she begins to moan and falls to the floor, then sits in dad's arms and bed making and, if you ask before you read, were 04:00 in the maa ± ana and appears Minus, the dad tells the if you raise the nets, while her daughter begins to check the drawers and found a book, a sort of diary of the father in the read that the disease is irrecoverable, is incurable, she has lived most of his life stigmatized by word or statement currently that is sick, she even proclaims itself to be sick.
be directed to your room No, wake up her husband and Karin tells him â € œdespertà ³ a while and had weird experiences or strange ± loop €, tells him that Leya ³ the diary of his father and that he can not tell what escribÃa it, about which she had a incurable disease.
The husband insinà º to have sex with à © l, but she says she does not want to have sex and apologized, said that someday I reapplied to want, recommends that you find another woman, in a sick person the first thing it is affecting their sexuality.
After her husband's father go to sea, while the charge that she has to help his brother, Minus, in his lectures Latané, when she goes where à © l, which is seeing a magazine with naked women, she says who loves, à © l says that. In his conversation
No, she says it's difficult to talk about something you have in mind, adding that every day someone calls and hears a voice, says â € œ ... I believe God will appear among us .. . â €, says his brother is not real to à © l, referred © climbing again says her sister, she goes on to say that â € OEDI low mountains ± a. .. â €. tells his brother that goes to sleep and close the door, change your emotional state, and they get angry and tells him to go, à © l is gone, but when you open the door, she turns to have a change of attitude and tells his brother studied "â € žÂ beat in? â €. She splits, since the dissociation ³ n is the mechanism by which the self and object are divided into two acoustic fanta. The Division of the object is set to function n the idealized and persecutory features, and in correspondence with a division I n concomitant, structure NDOS therefore two Simultaneous vÃnculos I neos between aggressive and an idealized object of persecution, and loving me a good idealized object.
Delirium or alucinac
ions appears in retrospect to give Significance n the absence of original meaning, the name of the Father is simply absent from the universe psÃquico the psychologist tico, in psychosis runs a peculiar mechanism, radically different from the known mechanisms the repression or the renegacià ³ n, present in hysteria, obsessions and perversions, to name this mechanism, Lacan ³ a Ta © Terms of Freud â € œVerwerfungâ € which à © l translated into French © s like â € œforclusià ³ nâ € and designates the radical rejection of the item in ques ³ n if an element is suppressed, may return in speech, in the signifying chain, in Symbolic lic. but if it is foreclosed can not return in Symbolic lic, for the simple reason that ³ n ³ aha never existed: it was banned excluded. Then, it returns in Symbolic lic, but in reality, for example in the form of hallucinations. At the onset of psychosis, Lacan showed that there is a forclusià ³ ³ n of his father's name was not suppressed, is completely abolished.
In other words, delirium can act as a way of making sense of the threatening world around the subject - just threatening by the lack of essential n Significance imposed order.
Freud believed that the hallucinatory episode is testimony to the failure of the defense psychologist policy as this fails to remove a permanent manner the danger of castration ³ n whose trace is reactivated. The representation n bean rejected returns from abroad and is now transformed into something hallucinatory, certainly the mark of castration ³ n was rejected from the unconscious, but returned in the form of hallucinations ³ n. Karin and Minus
, talking she tells him that's going to rain, insists that â € œthe € vieneâ rain and she starts and à © l the remains, she hides in a boat it is beached, it is beyond sleep, hugs and insinà º an a relationship n incestuous between the two, she tells him that is sick, asks him to help and says he is thirsty, Minus will find blankets and kneels before it is evident that n incestuous relationship.
comes a father and husband, tells Minus has been very ill and he is sent to medicines, Karin says she does not want more treatment s and prefers to stay in the hospital.
Karin starts to talk to his father vent the wastage © foward to a voice made to read his journal, but has made things worse, much worse, says ³ resisted but was forced, said that â € œjusto now, poor Minus €, referring © climbing again the abuse of which Bean made object to his brother, his father told him to try to calm down, but she begins once more sa decompensation and continues º an hallucination, said: â € œhay good people waiting for the door open for God .... I can not decipher the disease is it? â €.
's father apologizes to Karin, called © foward forgiveness ³ n, à © l says that â € œthe à © success was greater than the death of Ringtones Madrean €, but Karin says, complains Ndola to € žÂ what my disease?, you're gone the extranjeroâ €, she ends the conversation out vent the wastage © foward to her father that she must go home to pack.
In psychosis and Karin, we can see how the disease is caused by a disorder of the simbolizacià ³ n of the experience of castration ³ n, the forclusià ³ n is the default Interests ³ n in the unconscious of the normative experience of castration ³ n, as is symbolized allows the nia ± o take charge of their sex and ASA to become able to recognize its limits, when it is symbolized, that is the case of psychosis, is expressed by an uncertainty of patient psychologist tico about their sexual identity and a Page © Loss sense of reality.
So psychosis is a defense inappropriate and more ³ rbida against the danger of remembering the castration ³ n, hence the inability of the ego to defend against the danger intolerable, the painful experience of the castration ³ n, which is primarily the castration ³ n of the Other that of the mother. For the NIA ± o, how painful the experience was finding and perceive in the female body the absence of the penis that suponÃa mother poseÃa, the representation n intolerable for me is nothing but the imprint left by the painful perception n the absence penis in women, this is painful for the NIA ± or it means that also © n may be deprived of the penis, and pain in addition to s that this perception n confirms the seriousness of the prohibition of incest father ³ n. Minus
follows his father, but she hides à © l. The film ends when speaking Papua Minus ³ says to me, because throughout the film is the manifesto ³ need, maybe s à © l had already symbolized this castration ³ n and the law of the father assumed tena. But for à © l was necessary reframed. Karin
sends her husband to find a pill for headache, it disappears and all seek, but she is in room n above, talking to herself, showing once more s hallucinations, â € OESA © will not be long, we've been happy waiting, say you come prontoâ €, the husband is ± wing to it that any public God through that door, she asks her husband if she kneels. When it comes ptero ³ chopper that comes to look, opens the door and she screams, cries â € œtenÃa fear that God was a spider entered ± a. .. and I saw his face, his eyes rose ³ frÃos ... for me and then to the wall ... I have seen God €. Karin is going to institutionalize, as ill, psychologist policy.
Through a Glass Darkly (1961)
(Saasom Spegel i)
Address and Screenwriter: Ingmar Bergman
Photography: Sven Nykvist
Music: Johann Sebastian Bach
Produced by Svensk Filmindustri
Inta © interpreters:
Harriet Andersson (Karin), Gunnar Bjà ¶ rnstrand (David), Max von Sydow
(Martin), Lars Passgard (Minus)
SUMMARY OF THE PEELS CULA, LOOK TEA "RICA AND phenomenological" GICA.
is a film by Ingmar Bergman, in her we can see how a person's life deteriorates NDOS until a serious condition.
The film begins with four people that come out of the sea, are of bathrooms ± ass, one of them is an older man, who is the father of two children, as well s being a famous writer, another is a young, Minus his name is, who is the son, between them is a woman named Karin, quia © n is subsequently become ill, she is with her husband, an older man.
The two brothers head to find the milk, being in the way they strike up a conversation out, where she hears a noise and thought to be â € œthe Cuckoo € as meaning that is used to listen to â € œcosasâ € , have auditory hallucinations. Minus
throws the milk and tells his sister that women are horrible, adding that not tamper with, or kissed, and states that women smell. There is incest between two brothers as the law of the father does not exist in the life of Karin, Minus ends this dialog saying and expressing the hope that if I could talk to your dad.
the dynamics family is dysfunctional, because the mother dies when they are small ± os and the father is a writer of novels, is absent so far from home, à © l tells his children he does not remember having promised remain, it is clear that not responding to the demands of their children to stay with them, maybe l à © s trying to compensate for his absence with gifts, that perhaps s for them are small ± os, in the sense that prefer that the father gifts, father retires and goes into the kitchen, with there gets to mourn, then comes home to the family as usual, they blindfolded him and take him to a kind of stage presence beyond a play acted by his family after the termination © s à © l applauds and congratulates them, telling © Ndola to € žÂ The involvement Super n! â € ³. Karin search of his identity, wants to assert themselves and this is their need to know who is, as the psychologist tico seeks to know who he is, so look for recognition, return to the narcissistic omnipotence, the similarity with the object is replaced by the feeling of being admirable for any other purpose, since it is recognized in others.
The parent, the apparently has trouble falling asleep, not sleeping and take medication, his daughter wakes up at night, hearing a noise, gets up and starts to listen through a wall © s, the noises you hear are auditory hallucinations, she begins to moan and falls to the floor, then sits in dad's arms and bed making and, if you ask before you read, were 04:00 in the maa ± ana and appears Minus, the dad tells the if you raise the nets, while her daughter begins to check the drawers and found a book, a sort of diary of the father in the read that the disease is irrecoverable, is incurable, she has lived most of his life stigmatized by word or statement currently that is sick, she even proclaims itself to be sick.
be directed to your room No, wake up her husband and Karin tells him â € œdespertà ³ a while and had weird experiences or strange ± loop €, tells him that Leya ³ the diary of his father and that he can not tell what escribÃa it, about which she had a incurable disease.
The husband insinà º to have sex with à © l, but she says she does not want to have sex and apologized, said that someday I reapplied to want, recommends that you find another woman, in a sick person the first thing it is affecting their sexuality.
After her husband's father go to sea, while the charge that she has to help his brother, Minus, in his lectures Latané, when she goes where à © l, which is seeing a magazine with naked women, she says who loves, à © l says that. In his conversation
No, she says it's difficult to talk about something you have in mind, adding that every day someone calls and hears a voice, says â € œ ... I believe God will appear among us .. . â €, says his brother is not real to à © l, referred © climbing again says her sister, she goes on to say that â € OEDI low mountains ± a. .. â €. tells his brother that goes to sleep and close the door, change your emotional state, and they get angry and tells him to go, à © l is gone, but when you open the door, she turns to have a change of attitude and tells his brother studied "â € žÂ beat in? â €. She splits, since the dissociation ³ n is the mechanism by which the self and object are divided into two acoustic fanta. The Division of the object is set to function n the idealized and persecutory features, and in correspondence with a division I n concomitant, structure NDOS therefore two Simultaneous vÃnculos I neos between aggressive and an idealized object of persecution, and loving me a good idealized object.
Delirium or alucinac
ions appears in retrospect to give Significance n the absence of original meaning, the name of the Father is simply absent from the universe psÃquico the psychologist tico, in psychosis runs a peculiar mechanism, radically different from the known mechanisms the repression or the renegacià ³ n, present in hysteria, obsessions and perversions, to name this mechanism, Lacan ³ a Ta © Terms of Freud â € œVerwerfungâ € which à © l translated into French © s like â € œforclusià ³ nâ € and designates the radical rejection of the item in ques ³ n if an element is suppressed, may return in speech, in the signifying chain, in Symbolic lic. but if it is foreclosed can not return in Symbolic lic, for the simple reason that ³ n ³ aha never existed: it was banned excluded. Then, it returns in Symbolic lic, but in reality, for example in the form of hallucinations. At the onset of psychosis, Lacan showed that there is a forclusià ³ ³ n of his father's name was not suppressed, is completely abolished. In other words, delirium can act as a way of making sense of the threatening world around the subject - just threatening by the lack of essential n Significance imposed order.
Freud believed that the hallucinatory episode is testimony to the failure of the defense psychologist policy as this fails to remove a permanent manner the danger of castration ³ n whose trace is reactivated. The representation n bean rejected returns from abroad and is now transformed into something hallucinatory, certainly the mark of castration ³ n was rejected from the unconscious, but returned in the form of hallucinations ³ n. Karin and Minus
, talking she tells him that's going to rain, insists that â € œthe € vieneâ rain and she starts and à © l the remains, she hides in a boat it is beached, it is beyond sleep, hugs and insinà º an a relationship n incestuous between the two, she tells him that is sick, asks him to help and says he is thirsty, Minus will find blankets and kneels before it is evident that n incestuous relationship.
comes a father and husband, tells Minus has been very ill and he is sent to medicines, Karin says she does not want more treatment s and prefers to stay in the hospital.
Karin starts to talk to his father vent the wastage © foward to a voice made to read his journal, but has made things worse, much worse, says ³ resisted but was forced, said that â € œjusto now, poor Minus €, referring © climbing again the abuse of which Bean made object to his brother, his father told him to try to calm down, but she begins once more sa decompensation and continues º an hallucination, said: â € œhay good people waiting for the door open for God .... I can not decipher the disease is it? â €.
's father apologizes to Karin, called © foward forgiveness ³ n, à © l says that â € œthe à © success was greater than the death of Ringtones Madrean €, but Karin says, complains Ndola to € žÂ what my disease?, you're gone the extranjeroâ €, she ends the conversation out vent the wastage © foward to her father that she must go home to pack.
In psychosis and Karin, we can see how the disease is caused by a disorder of the simbolizacià ³ n of the experience of castration ³ n, the forclusià ³ n is the default Interests ³ n in the unconscious of the normative experience of castration ³ n, as is symbolized allows the nia ± o take charge of their sex and ASA to become able to recognize its limits, when it is symbolized, that is the case of psychosis, is expressed by an uncertainty of patient psychologist tico about their sexual identity and a Page © Loss sense of reality.
So psychosis is a defense inappropriate and more ³ rbida against the danger of remembering the castration ³ n, hence the inability of the ego to defend against the danger intolerable, the painful experience of the castration ³ n, which is primarily the castration ³ n of the Other that of the mother. For the NIA ± o, how painful the experience was finding and perceive in the female body the absence of the penis that suponÃa mother poseÃa, the representation n intolerable for me is nothing but the imprint left by the painful perception n the absence penis in women, this is painful for the NIA ± or it means that also © n may be deprived of the penis, and pain in addition to s that this perception n confirms the seriousness of the prohibition of incest father ³ n. Minus
follows his father, but she hides à © l. The film ends when speaking Papua Minus ³ says to me, because throughout the film is the manifesto ³ need, maybe s à © l had already symbolized this castration ³ n and the law of the father assumed tena. But for à © l was necessary reframed. Karin
sends her husband to find a pill for headache, it disappears and all seek, but she is in room n above, talking to herself, showing once more s hallucinations, â € OESA © will not be long, we've been happy waiting, say you come prontoâ €, the husband is ± wing to it that any public God through that door, she asks her husband if she kneels. When it comes ptero ³ chopper that comes to look, opens the door and she screams, cries â € œtenÃa fear that God was a spider entered ± a. .. and I saw his face, his eyes rose ³ frÃos ... for me and then to the wall ... I have seen God €. Karin is going to institutionalize, as ill, psychologist policy.
That ¡s para infortmaciA ³ n:
http://www.mundofree.com/cine_nordico/Ingmar_Bergman.html
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